LE-MILE-Magazine_Bauhaus_NOMOS_Tangente.jpg
Amantaka-Hotel-Luang-Prabang-AMAN-Resorts-LE-MILE-Magazine-Review-3.jpg
LE-MILE-Magazine-College-X-Aries-Arise--Loafers-Limited-Edition-1.jpg
animation_no_color_shade55.jpg
LE-MILE-Magazine-.selected-&tradition-sofa-2.jpg
MIAU-Originals-Swimwear-2018_wide.jpg
le-mile-magazine-selected_porsche_356_house_of_maximilian_e_hoffman_rye_2018_porsche_ag6.jpg
Christina_Hasenauer_Le_Mile_Magazine_VIU_le_mile_selected_7.jpg
Le-MIle-Henry-Timi.jpg

.selected Topics


SCROLL DOWN

.selected Topics


LE-MILE-Magazine_Bauhaus_NOMOS_Tangente.jpg

LE MILE .selected presents *A limited edition of the classic Tangente model honors Bauhaus


LE MILE .selected presents *A limited edition of the classic Tangente model honors Bauhaus


 

.selected
*nomos meets bauhaus
 

august 2018
 

Tangente from NOMOS Glashütte is the most widely-knownwatch from Glashütte; no other model from this town famous for fine watches has been inproduction longer. It is often described as a ‘Bauhaus watch’—and in 2019 the German Bauhaus movement is turning 100 years old. To mark the occasion, Tangente is available in a nine-part special edition, with each version limited to only 100 timepieces.

LE MILE Magazine_Bauhaus_NOMOS_Tangente watch.gif

These watches come in three sizes—33, 35, and 38 millimeters in diameter, for men andwomen alike, and each one comes in every primary color: a sketch paper colored dial, blacknumerals and hands, encircled by a ring of red, yellow, or blue. Paul Klee’s sketches were one of the sources of inspiration for these watches.

As Klee, the ‘magician’ of Bauhaus, once said: “Art makes things visible”.

And that is why the hands follow a color ring, elegantly depicting the basic principle of the watch: time moving in a circle. Not only this special edition, but all watches from this brand based in the famous heritagetown of Glashütte are “timepieces that members of the Bauhaus movement would design and wear today,” NOMOS CEO Uwe Ahrendt is certain. “After all, they went about their work then the same way that we do now when it comes to designing our watches and the R&D that goes into the calibers. By concentrating on the essentials, leaving the super-fluous to one side, and being incredibly demanding when it comes to the details that remain.By standing for the highest quality and a different, very contemporary kind of luxury. As well as a particularly beautiful form of ‘Made in Germany’.”

The models of this special edition Tangente—a century of Bauhaus will be available atselected retailers from the end of August 2018. With a birthday gift from NOMOS Glashütte — as these watches come with a generous ‘100th anniversary discount’.

 

http://glashuette.com

 
Amantaka-Hotel-Luang-Prabang-AMAN-Resorts-LE-MILE-Magazine-Review-3.jpg

LE MILE .selected presents the AMANTAKA Resort by AMAN in Luang Prabang.


LE MILE .selected presents the AMANTAKA Resort by AMAN in Luang Prabang.


 

.selected
*luang prabang


august 018

AMANTAKA:

Already, during our landing approach through dense forests on endless hills, we instantly knew this would be a trip we would never forget.

Hello Luang Prabang.

Amantaka-Hotel-Luang-Prabang-AMAN-Resorts-LE-MILE-Magazine-Review-1.jpg

The ancient capital of Luang Prabang is snuggled deep in the secretively undulating hills of northwest Laos, anoften overloooked, sleepy temple town. Thank Heavens. Most of the Frenchcolonial villas and small traditional shops have been carefully converted meaning plenty of destinations to sleep, shop, eator drink. The most beautiful thing about the town is its scale; there is plenty to visit and see. Located at the junction ofthe Nam Khan and Mekong River, mountainous surroundings make for a picturesque setting. The earlier you wakeup the better since most people roll out of bed at six in the morning to offer almsto the resident monks. The historic towncontains more than thirty ancient Buddhist temples that are home tomonks and novices.

We were warmly greeted by the Amantaka staff who picked us up at the pristine airport and brought us to a colonial-style lobby beneath a low-slung, red-tiled roof.

Amantaka-Hotel-Luang-Prabang-AMAN-Resorts-LE-MILE-Magazine-Review-2.jpg

Charly, the Managing Chef of the hotel, welcomed us with arefreshing drink and showed us aroundthe property: a private complex of twenty-four spacious, cream colored suites surrounding a shady centerpiecegarden with an expansive, stylish blackpool. The hotel has a slight sanitarium feel, with long corridors and tinyward-like chambers. Its property hasmango-shaded outdoor areas that are furnished with loungers, woven-cane armchairs and large umbrellas. For even further relaxation, their are private pools and a state-of-the-art spa. The hotel was a former French colonial hospital with classical décor. Today, it offers its guests a massive living room with simple Southeast Asian wood and colonial style furnishings.

Four-poster beds belong in airy rooms with traditional, high wooden ceilings reminiscent of an elegant, by- gone era while the private pool in the suite ́s private garden is perfect fortaking a dip at midnight; what a tranquil oasis in the charming Luang Prabang.

There is no television in any of therooms, instead there are black-and- white photographs of Buddhist monksin meditation that were exclusivelyshot by German artist Hans GeorgBerger. This allows the guest to unplug and feel far away from the stresses of home. 

The Amantaka fuses French colonialelegance with timeless temple traditions. Even though the town is very small, it left enough memories to last a lifetime and longer. It’s pace is seductively slow and invites everyone who is searching for comfortable and peaceful moments in the busy modernworld to observe the ebb and flow of the mighty Mekong River in Laos’spiritual capital: 

a well-preserved Unesco World Heritage Site.
 

https://www.aman.com/resorts/amantaka

 
LE-MILE-Magazine-College-X-Aries-Arise--Loafers-Limited-Edition-1.jpg

LE MILE .selected presents College x Aries Arise: The Penny Loafer.


LE MILE .selected presents College x Aries Arise: The Penny Loafer.


 

.selected
*college x aries


july 018

College:

An institution of higher learning, the place to go to earna bachelor’s degree. And College is also the name of thefootwear brand which has the coolest take on that all-time collegiate classic: the penny loafer. Just recently, iconic loafers brand College (founded in the 50s) and the London-based avantgarde streetwear-imbued brand Aries have teamed up for an exclusive collaboration.

 
LE-MILE-Magazine-College-X-Aries-Arise--Loafers-Limited-Edition-5.jpg
 

Penny loafers are a global phenomenon, owing their origins to American Indian moccasins, and further linked to the comfortable leather shoes worn by Norwegian fisherman in the early twentieth century. These were adapted by Americanshoemakers in the mid 1930’s, and loafers quickly became the fashion footwear standard on college campuses across the nation.

It wasn’t only students who wore penny loafers. Everyone did –from Grace Kelly to James Dean, Paul Newman or J.F.K., preppies and nerds alike, the girl next door, the boy down the road, in the country or the city. Their appeal remained steadyand broad through the 1960’s, and has periodically resurgedever since.

The latest revival was in the 80’s, when youth subcultures theworld over adopted the hitherto establishment preppy look, injecting it with a touch of wit and irony in the process. College was very much on the scene when the Italian Paninaro movement took hold, and fashion obsessed youth gave the Americana look a special Italian twist. 

Today, College brand loafers take the look to a new style pitch. Bold. Sophisticated. Playful. Smart.

And most definitely NOW. For s+s018, take your pick between pitch black, radiant white or bright red leather College loafers, made in Italy and impeccably detailed with zig zag edging at the top of the vamp, along the heel seams, and at the sides of the pennyloafer’s signature feature: the strip of leather across the instep,with its cut-out slit to hold a coin. 

Or make your mark in Antick Cross College loafers, a big graphic X in a contrasting color splashed across the front, be it white on black or red, or red or black on white. The two-tone story continues with Antick Stripe, where white loafers have been boldly road-striped in black or red, while fans of theunderstated will fall for Antick Stripe Black/Black’s almosthidden fashion accent.

 

animation_no_color_shade55.jpg

LE MILE .selected presents walimex pro lenses. Read the review.


LE MILE .selected presents walimex pro lenses. Read the review.


 

 

.selected
*walimex pro


july 018
 

No matter if you´re planning to shoot super wide angle panoramas or unusual perspective images with Fisheye and Tilt/Shift lenses, Walimex Pro offers a wide range of high-quality lenses with focal lenghts ranging from 7.5 up to 800 mm. The lenses are suitable for all common DSLR and system cameras and can be used for both; photography and filming. For all lenses, an exceptionally sophisticated optical design guarantees a particularly high imaging quality without reflections.  

LE MILE .selected has reviewed Walimex Pro lenses for the two most established manufacturers; Canon + Nikon and kept its focus in Full Format Video DSLR lenses.

 



I would like to go into more details with following two lenses:

For the 24/1,5 Full Format Lens (*for Canon) the F-stop can be adjusted steplessly from 1,5 to 22 and the focus is adjusted softly and runs smoothly. That way a tracking of the focus (when filming) is possible. The aperture ring and the focus ring come with a tooth ring and are therefore optimized for use with follow focus systems. Its very fast lens speed of 1:1,5 makes optimal results possible even when light conditions are quite poor. The lens is constructed in a high-quality manner. The metal casing is very robust and impresses with its classy exterior. The glass of the lens are coated and thus ensure a brilliant contrast and sharpness range as well as a well-rounded color balance. The lens hood prevents laterally occurring stray light and lens reflections what is essential for filming. 

The Walimex Pro Wide Angle 24/3,5 lens with tilt and shift function offers a vast variety of posibilities for crative image compositions. No matter whether optical illusion, for example in miniature optics, or unusual image formats with selective blurring, the Tilt-Shift lens realizes these tasks in the usual high-quality mode. The wide angle lens offers a fixed focus of 24mm and a high lens speed of 1:3,5. An overall number of 16 coated lenses (including two aspherical and two ED-lenses) guarantees high quality of your records. Aperture settings and focussing are made manually. I would recommend the lens for creative compositions in architecture and portrait imagery rather than for fashion and action captures. The shift function displaces the lens system in relation to the focal plane, whereby it is able to compensate for converging verticals. This is of particular interest in architectural photography. The vast number of optical settings offers numerous creative possibilities, also for example in product and landscape photo and film productions.   

credits_
animations done by lemilestudios

http://walimexpro.de/en/

 
LE-MILE-Magazine-.selected-&tradition-sofa-2.jpg

LE MILE .selected presents objects from the &tradition collection 2018.


LE MILE .selected presents objects from the &tradition collection 2018.


.selected
*&tradition


may 2018
 

As the name suggests, &tradition believes firmly in the talent and vision of past designers. The studio also believes in the celebration of new designers who are forging their own paths to become the avant-garde designers of the future. 

 
 rug_ The Moor, AP5–AP8 by All The Way To Paris

rug_ The Moor, AP5–AP8 by All The Way To Paris

 

This Danish studio has curated a collection of work that spans an incredible timeline of talented designers. One of the masters &tradition boasts is the Moor rug by design studio All the way to Paris. Inspired by the vast, heather-covered hills in the countryside of their native Scandinavia, The Moor rugs capture the ambience of the landscape. “This collection of rugs focuses on texture, shape and depth of colour – not patterns,” explains Founders and Partners Tanja Vibe and Petra Olsson Gendt. “Our intention with the rugs is to gather a room together both emotionally and aesthetically. To create a feeling of closeness and to somehow ‘ground’ the room.”  

Located on the castle grounds of Copenhagen's Kastellet overlooking the waterfront promenade that is home to the Little Mermaid, The Langelinie Pavilion stands with a resilient spirit. The first Pavilion chair was built in 1885. The second was built in 1902 for the Royal Danish Yacht Club but was sadly destroyed during World War II. The current Pavilion was built 1958 by architect couple Eva and Niels Koppel in homage to modernism. Echoing its own ability to endure is the Pavilion chair by Norwegian design firm Andersen & Voll, established black in 2009 by Torbjørn Anderssen and Espen Voll.  

"Anderssen & Voll succeeded in embracing the technology of modernism without being limited to its often rigid functional doctrine. By making both the veneer seat and back curved, they pushed technology to the limit. Available with or without armrests in a choice of wood veneer with versions in textile or leather, the look remains light. It's a chair you wouldn't expect to be this elegant designed to stand the test of time." says Martin Kornbek Hansen, founder of &tradition.  

The FlowerPot Lamps became synonymous with the Flower Power movement from the late 60´. Reecting a break from convention to embrace a more open, modern mentality that promoted peace and harmony. Such was the mindset of their designer, Verner Panton. One of the most forward-thinking talents of his time. The lamp’s simple design consisting of two semi-circle spheres facing each other is not only an icon of that era, the FlowerPot Lamps remain equally as appealing to new generations. Especially in the new series of colours launched by &tradition. 

The Fly Series by Space Copenhagen is a lounge collection made up of two sofas, an armchair, two tables and a pouf. Pushing the idea of lounging to its fullest, Fly is a series that allows the user to sit, lie, rest, and relax. Unlike many of the sofas and easy chairs in Scandinavian design history, Fly does not impose any particular posture onto the sitter. The seat itself is optimised for comfort, with loose cushions for the back that can be arranged according to the user’s own needs. 

The products prove their timelessness and worth, being both desirable and stylish all these years later; true legacies.

chair_ Pavilion by Anderssen & Voll
lighting_ Flowerpot by Verner Panton
sofa_ Fly Sofa with side tables by Space Copenhagen

credits_ all illustrations done by savignacillustrations 
Benjamin Savignac

www.andtradition.com

 
MIAU-Originals-Swimwear-2018_wide.jpg

LE MILE .selected presents the latest MIAU Originals swimwear for Men 2018.


LE MILE .selected presents the latest MIAU Originals swimwear for Men 2018.


 

 

.selected
*mïau originals


may 2018
 

Mïau Originals interprets swim wear in a new way and includes exclusive prints on their colorful capsule collections.

 
LE MILE .selected MIAU Originals Swimwear 2018_1.gif
 

The brand reinvents diverse graphic patterns with different shapes and shades, colors and sizes and manages to symbolize the modern man in bathing fashion.

„Miau" is the phonetic transcription in Spanish and Portuguese of the cat´s meow. Gato is the colloquial form used in Portuguese-speaking countries to refer to a handsome man. Mïau Originals has a clear feline inspiration, with prints and graphic expressions that are based on the representation of the shape of a cat, a mascot that conceptually exemplifies the male figure through that little feline turned into an icon.

 
le-mile-magazine-selected_porsche_356_house_of_maximilian_e_hoffman_rye_2018_porsche_ag6.jpg

LE MILE SeLECTED *Porsche - 70 Years of Style*


LE MILE SeLECTED *Porsche - 70 Years of Style*


 

 

.selected
*porsche - 70 years of style


april 2018
 

Max Hoffman + Lloyd Wright: The common bond between two of America’s most influential aesthetes.

 

le-mile-magazine-selected_porsche_356_house_of_maximilian_e_hoffman_rye_2018_porsche_ag6.jpg

Driving south through New York State, heading for Manhattan, cold Atlantic rain runs in rivulets up the windscreen and hammers along the taught canvas roof. Small, be-chromed wipers on a time warp 356 Cabriolet beat a furious metre, marking the rhythm of steady but rapid progress.

The two-hour drive along Taconic State Parkway eventually leads to Rye, in Westchester County, and to the gated community of Island Drive. No house numbers here, but the Porsche travels barely 100 yards before reaching its famous destination. A copper-trimmed fascia looms into view, hovering close to the ground. Prairie Gold glass set high in carved wooden frames runs the length of one wall, overlooking a simple courtyard. The car swings in, its headlights reflected back through the drizzle.

The house of Maximilian E. Hoffman || This is the house of Maximilian E. Hoffman: the wartime immigrant who brought European sports cars to America. Designed by Frank Lloyd Wright in 1955, the Usonian-style dwelling was one of the last works he created before his death in 1959. Lloyd Wright was a pillar of 20th Century design in the US, and became known for these ‘Prairie’ houses: low-profile buildings with gently sloping roofs and generous overhangs. Inside, they were usually open plan, another ground-breaking concept in the period. And all manna from heaven for Hoffman, himself something of a visionary, fascinated and enthralled by bold design and experimentation. Hoffman was born in Austria in 1904. His father owned a bicycle factory and adored the newly invented automobile. The young Hoffman grew up similarly devoted, eventually running an Amilcar dealership and selectively selling high-end sports cars to wealthy Austrians. But with Europe in turmoil in the late 1930s, he hot-footed it to Paris and from there to the sanctuary of America.

 

le-mile-magazine-selected_porsche_356_house_of_maximilian_e_hoffman_rye_2018_porsche_ag4.jpg

 Settling in New York, he began making affordable costume jewellery, quickly growing the business to bankroll a return to his first love: automobiles. In 1947, he founded the Hoffman Motor Company and opened a dealership in Manhattan’s affluent Upper East Side. Hoffman was both mechanically adept and a natural aesthete. He knew good design and was an avid collector of art in all its forms. In 1950, a Swiss journalist called Max Troesch showed Hoffman pictures of the first Porsche 356 and he immediately ordered a pair. After driving the cars on their arrival in the US, Hoffman formed a plan that would prove decisive for all concerned. He travelled to the Paris Motor Show later that same year and met with Ferdinand Porsche. The pair shook hands on a deal to export 15 more cars, with Hoffman becoming the factory’s unofficial man in America.

 

 Hoffman greatly admired Porsche, and is himself credited with various key moments in the marque’s rapid rise, including the creation of the iconic 356 Speedster and the introduction of the Porsche crest. Hoffman himself raced the 356 in numerous amateur events around the US, drumming up interest in this burgeoning sports car brand in an era of deep-seated national pride in gas-guzzling homegrown V8s. Though the compact German machines cost as much as Jaguars of the time, Hoffman successfully shifted the 356 in ever bigger numbers based upon its unique driver appeal. “I preferred the Porsche’s finish and workmanship, and the car’s handling was excellent,’ Max told Panorama magazine, shortly before his death. “On the 1951 Mount Equinox Hillclimb, I drove a Porsche cabriolet over a course with two miles of snow at the end. I was so fast, Briggs Cunningham claimed my time was impossible and forced the organizers to make me drive it again.” 

 In 1959, the Porsche of America Corporation was formed. No longer the sole US importer, Hoffman had five more years controlling territories east of the Mississippi but, from 1964, the show was all Stuttgart’s. His initial impact on the American market had been invaluable, however. A motoring missionary preaching the Porsche law.

le-mile-magazine-selected_porsche_356_house_of_maximilian_e_hoffman_rye_2018_porsche_ag7.jpg

Parked under the porte-cochПre covering his home’s front door today, you can see quite plainly why Hoffman found an ally in the brave new aesthetic of Lloyd Wright. In 1954, he commissioned the 87-year-old to design his New York showroom. And while that was being built, Hoffman entreated Lloyd Wright to build him this house, overlooking Long Island Sound. 

 A big part of Lloyd Wright’s Usonian concept was ‘of the land, not on the land.’ Houses were carefully placed in the landscape, using huge windows and natural materials to bring the outside in. Especially valuable to a man like Max, whose outside very often included a Porsche. He would live here happily for the next 17 years. Driving south again into the encroaching dusk, the 356 feels like a vital piece of the puzzle, its organic shape, artisan craftsmanship and enduring spirit perfectly aligned with the visions of both Hoffman and Lloyd Wright. Seventy years young, an emblem of 20th Century design and the purest expression of the ineffable Porsche legend.

 
Christina_Hasenauer_Le_Mile_Magazine_VIU_le_mile_selected_7.jpg

LE MILE SeLECTED *VIU - The Wire Collection


LE MILE SeLECTED *VIU - The Wire Collection


 

 

.selected
*viu eyewear


april 2018
 

Christina Hasenauer teamed up with Veronique Helmschrott and captured Julia Tarnas with the newest Eyewear pieces from the WIRE collection. 

 
Christina_Hasenauer_Le_Mile_Magazine_VIU_le_mile_selected_gif.gif
 

The Spirited, The Vivid, The Vibrant, The Bright: The models of the WIRE collection offer soft round curves as well some slightly angular shapes. The different sizes and metallic colours of the light frames shape the face, and yet leave air to breathe. Made of refined and extralight stainless steel, the frames are durable, featherlight and quite flexible.

After acetate-, titanium- and 3D printed frames, adding stainless steel presents the natural development of the VIU collection. The latest VIU line is refined and bears resemblance to the fine jewelry. The series seen by Christina Hasenauer reflects following attributes: the intersection of nature and the refined design convey core themes of lightness and freedom.

Stylist Veronique Helmschrott has used corresponding looks by designers e.g. Stine Goya, Vladimir Karaleev, Sandro Paris, Marina Hörmanseder, Tara Jarmon, or Prada to harmonize with the frames of the Wire collection, which is available in the colours Palladium, Bronze, Satin Gold, Gold Shiny. 

 

photography  Christina Hasenauer
styling  Veronique Helmschrott
styling Assistenz  Radvile Kunisauskaite
hair + make up Tuna Hourani @Peppermintcircus
model  Julia Tarnas @TFMBerlin
location  MU Berlin

LE MILE Studios

 

www.eu.shopviu.com

 
Le-MIle-Henry-Timi.jpg

LE MILE SeLECTED *Henry Timi


LE MILE SeLECTED *Henry Timi


 

 

.selected
*henry timi


march 2018
 

Milan based Italian designer Henry Timi has built some incredible minimalist furniture over recent years, designing simple and pure shapes, refusing excess and the unnecessary.

 
Le-Mile-Magazine-Milan-based-Italian-designer-Henry-Timi-1.jpg
 

We would like to share with you a small selection of seating furniture that reflects these qualities, but many more can be found on the Henry Timi website.

Timi explains his design philosophy:

I summarise and I develop objects with a minimalist vision. I just think of pure products – purity as the beauty. I promote the simplicity as the depth and the refinement to give value to objects and persons. I make things simpler in order to be better.

 

 

MORE ARCHIEVE selected


MORE ARCHIEVE selected